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Grand Guignol (album) - Wikipedia

Naked City 's follow up to their self-titled album is a departure from the New York noir that they had perfected. Here, after a 17 minute, moody title piece, all low rumbling punctuated by drum thrashes and distorted screams, is a very straight transcription of Debussy 's "Cathedrale Engloutie" featuring some very lovely, watery guitar work from Bill Frisell. And then for something completely different: 32 thrash'n'burn numbers lasting anywhere from 10 seconds to a whopping , most with humorous titles some favorites: "Jazz Snob: Eat Shit," "Perfume of a Critic's Burning Flesh," "Pigfucker". Forget the subtlety of the first half -- this is thrash jazz! Yamatsuka Eye of the Boredoms provides vocals. As they say, there's screaming, and then there's Yamatsuka Eye. Whether or not such eclecticism makes for awkward listening is apparently the last thing on Zorn 's list, and it probably shouldn't be a concern anyway.
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Grand Guignol

This is John Zorn's tribute to Grand Guignol, a theater and a theatrical form that thrived in Paris in the early decades of the 20th century. It created a style that depended on realistic makeup and grotesque violence to depict murder, rape, mutilation, and torture, to the delighted horror of its audience. A decidedly low form of public entertainment, it enjoyed its greatest popularity at the same time that France was home to the creation of modernist culture and the subtle beauties of French impressionism in music. That's a cultural contradiction--or perhaps an entranceway--that Zorn walks right into and explores on this CD with Naked City, a band that includes guitarist Bill Frisell , drummer Joey Baron , bassist Fred Frith , and keyboardist Wayne Horvitz --veterans of numerous projects in common--and the vocals of Yamatsuka Eye of the acclaimed Boredoms.
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The album followed Torture Garden , which was a compilation of " hardcore miniatures" from Naked City and Grand Guignol. The album is notable for the inclusion of cover versions of pieces written by classical composers, the guest vocal of Bob Dorough , and also, like Torture Garden , a selection of "hardcore miniatures" tracks 9—41 which are intense, fast-tempo, brief compositions, which feature the wailing of Zorn's alto sax, and the screams of Yamatsuka Eye. The album is titled after the infamous Grand Guignol theater in Paris , which was open from to , where performances centered around extreme violence. The Allmusic review by Ted Mills awarded the album 4 stars stating "Naked City's follow up to their self-titled album is a departure from the New York noir that they had perfected
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