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Organizations learn from experience. Sometimes, however, history is not generous with experience. We explore how organizations convert infrequent events into interpretations of history, and how they balance the need to achieve agreement on interpretations with the need to interpret history correctly. We ask what methods are used, what problems are involved, and what improvements might be made. Although the methods we observe are not guaranteed to lead to consistent agreement on interpretations, valid knowledge, improved organizational performance, or organizational survival, they provide possible insights into the possibilities for and problems of learning from fragments of history.
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02.12.2020
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All models in this video are 18 years old or older. 2257
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Korg KRONOS 88 LS Review – Is This the Ultimate All-in-One Keyboard?

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Korg KRONOS 88 LS Review - Is This the Ultimate All-in-One Keyboard?

Metrics details. One pathway in objectification theory proposes a mediational role of body shame in the relationship between self-objectification and eating disorder ED pathology. Robust past cross-sectional research supports this proposed pathway, but largely in non-Hispanic Caucasian, college-aged samples; this pathway has yet to be empirically demonstrated longitudinally. Given previously documented concerns regarding direct measurement of body shame, we tested two measures of body shame as mediators in both cross-sectional and longitudinal models in a diverse sample of adult women.
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Learning from Samples of One or Fewer

The Kronos is a music workstation manufactured by Korg that combines nine different synthesizer sound engines with a sequencer , digital recorder , effects , a color touchscreen display and a keyboard. Korg's latest flagship synthesizer series at the time of its announcement, the Kronos series was announced at the winter NAMM Show in Anaheim, California in January Much like Kronos' predecessor and Korg's previous flagship synthesizer workstation, the OASYS , Kronos is basically a custom software synthesizer running on an Intel x86 processor and operating system based on the Linux kernel with RTAI extensions; [2] it includes 9 different sound engines which encompass the entire range of Korg synthesis technologies.
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Andy Jones powers up. Since then it has released many landmark instruments and game-changing synth ranges. There was the MS, Polysix and MonoPoly that helped define synth pop; the Poly which was one of the first cheap programmable synths and one of my first experiences with a synth ; the M1 that soundtracked the late 80s; the Wavestations, Trinitys and Tritons of the 90s and 00s plus my personal favourite, the massive-sounding physical modelling joy that was the Prophecy ; right up to the Krosses and KRONOSes of today. So Korg has form in making synths, and what I have before me is its most powerful synthesizer ever. The 88 LS is the most recent and very much the pinnacle of the range, designed to appeal to jobbing musicians and players, plus studio composers and producers alike.
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